10 Argyle St, WC1H 8EG
This ambitious transformation of the former Camden Town Hall Annexe, a 1974 Brutalist structure, into a landmark hotel was achieved through the restoration of the original concrete façade and the addition of three striking storeys.
King's Cross St. Pancras, Euston
King's Cross, Euston
10, 17, 30, 45, 46, 59, 63, 73, 91, 205, 214, 259, 390, 476
A wheelchair accessible tour can be provided on request. This is a walking tour that will last approximately 1 hour.
The Standard, London is the result of a bold transformation of the former 1970s Camden Town Hall Annexe envisioned by Orms and Crosstree Real Estate Partners in collaboration with interior designers Shawn Hausman Design and interior architects Archer Humphryes.
Orms’ proposal to reuse, adapt, and extend the existing Brutalist structure has completely transformed the perception of the building, allowing for its new use as a destination hotel.
Set in London’s thriving King’s Cross neighbourhood, the 1974 Brutalist building has been meticulously restored and sets the perfect stage for The Standard brand’s first hotel outside America. The Standard, London was created with design and culture as its core featuring a strong aesthetic throughout plus a rich cultural programme offering eclectic talks, a vibrant music offering and innovative food and beverage outlets.
Orms’ conceptual design was led by the audacious idea of opting for renovation of the existing building over demolition which has remarkable impact on the building’s carbon emissions. To adopt its new function, Orms designed a contrasting new steel and glass three-storey extension. The top floor is served by a striking red colour external shuttle lift which glides up the north face of the building opposite Renaissance St Pancras Hotel.
Its re-designed façade entrance points and a reinstated public garden provide a tranquil escape from the bustle of Euston Road in addition to a new, permanent east-west route for pedestrians and cyclists.
The resulting hotel offers a myriad of facilities including a Library Lounge, which pays respect to the original use of the space that the team inherited – designed to bring a tactile quality and to spark conversations between people.
Informed and inspired by Camden’s history, from politics, intellectuals and punk rock bands to the mischievous underbelly of King’s Cross, The Standard, London pays homage to both its location and the building while recognising the remarkable transformation taking hold of the neighbourhood.
The conversion from offices to a contemporary boutique hotel was developed by retaining and cleaning the original brutalist concrete frame. The original tinted-windows in their distinct rounded rectangular frames were then replaced with clear glass, and on the building corners, rounded panes with high-grade acoustic specification were inserted to combat noise from the busy roads below.
The façade’s existing precast concrete panels formed an integral part of the building’s structure and so could not be removed or altered without significant structural remodelling, so separating the annexe from the neo-classical Town Hall was entrusted by Orms to convert the former Camden council offices into a shell and core suitable for premium hospitality facilities.
To do this Orms had to remove the stair core and the concrete plant enclosure at roof level that joined the Annexe and Camden Town Hall together and allowed access but blocked important views through Tonbridge Walk to St Pancras and beyond. By removing, Orms allowed the sculptural mass of the building to be expressed as a stand-alone building for the first time. However, removal of the core also meant that the building’s stability was partly reduced, and so the architects used the addition of new internal goods lift core and a shear wall to re-stabilise the building.
To create the rooftop extension PVD coated stainless cladding was used and deliberately angled to form a solid, sculpted roof element, catching the light differently throughout the day to create a constantly changing display. On the 8th floor, facades constructed in timber and glass allow the interior materials of the bedrooms to ‘flow out’ onto their private terrace which feature outside baths. Above these the 9th and 10th floor bays cantilever out – to match the profile of the existing building below – to host the new restaurant and bar, and a roof terrace above. Orms designed dramatic 4.6m floor to ceiling heights on the top level, maximising the views to St Pancras and Kings Cross to the north and the city, and West End to the south. The top floor is served by a dedicated external shuttle lift which glides up the north face of the building opposite St Pancras. Its red colour – chosen by Shawn Hausman Design and based on the iconic London bus – and rounded form gives the building an additional striking feature on its public face.
At ground level, a large format, blue revolving door marks the new entrance to reception under a new precast concrete canopy. The characteristic design style of Shawn Hausman Design and Archer Humphryes carries its way up through the variously configured hotel rooms and suites, and throughout the common hospitality spaces.
The resulting hotel offers a myriad of facilities including a library lounge, which pays respect to the original use of the space that the team inherited – designed to bring a tactile quality and to spark conversations between people. The ground floor reception-come-library hosts two restaurants and a bar. Upstairs, the 266 rooms configured in 42 unique styles over seven of the existing floors and 2 new floors, range from rooms placed within the core, windowless ‘sanctuaries’ designed for a restful night’s sleep, to terraced suites with outdoor bathtubs overlooking St Pancras. Above this, the top floor of Orms’ three storey extension houses an additional restaurant and roof garden reside.
public realm/landscape, walk/tour
A walk to highlight public realm improvements in Camden and the new traffic-free piazza in the Strand. The walk follows a https://footways.london/ route along attractive,low pollution streets, and end with a visit to St Mary le Strand
Many, including Scott, Hodgkinson, Soane, Hardwick, Lutyens, Inigo Jones (attributed), Gibbs, Wren and Chambers
Grade ll listed Oxford Movement Anglican church built 1887-88. Historic England describe the exterior as ‘quirky and aggressive’ but the interior is ‘very spare and elegant, the proportions subtly adjusted’. Elevated choir and sanctuary.
Joseph Peacock, 1887
A bicycle tour of public libraries and bookshops from Bloomsbury to the East End celebrating the institutions which keep books circulating and the buildings which bring readers and writers together. Over the course of the tour, we’ll see how architects working across a range of building styles express the ideals of their bookish institutions.
residence, hotel, transport, walk/tour
Former Midland Grand Hotel, now St Pancras Renaissance Hotel and Chambers apartments. Includes hotel lobby and clock tower.
Sir George Gilbert Scott, 1868
Drop in / Guided tour
event, walk/tour, gallery, art studio, museum, community/cultural
A great little museum set in the Grade 2 listed Ossulston Estate - a prime example of pre-war Social housing - based on Karl Marz Hof in Vienna. Open Wednesdays to Saturdays throughout Festival Sunday 11th Event
G Topham Forest, 1927
Come inside Hayhurst & Co’s intricate, light-filled building, bursting with architectural ideas and extraordinary spatial events to hear how it’s rooted in a coherent educational ethos – and empathy with young children.
Hayhurst & Co, 2021
Drop in / Guided tour
institution/profession, gallery, health
Grade II* listed building. Restored in 2012 to showcase magnificent Edwardian faience tile work, mosaic floor and other historic features in transformed modern surroundings that now provide the headquarters of the RCGP.
Arthur Beresford Pite, 1908
public realm/landscape, walk/tour, mixed use
King's Cross is a 67 acre development in Central London being transformed into a new city quarter with 20 regenerated heritage buildings, new homes, offices, public spaces, shops, galleries, bars, restaurants, schools and a university.
Townshend Landscape Architects, 2012
The King’s Cross Masterplan established a framework for the incremental redevelopment of this industrial heritage site through a mix of uses and a network of public spaces structuring new urban blocks and knitting the site into its context.
Allies and Morrison, Porphyrios Associates, 2007
education, community/cultural, library, online
London’s tallest secular building when it opened as the HQ of the University of London and home to the Ministry of Information during WWII, this Grade II* listed landmark features Classicism and Art Deco elements.
Charles Holden, 1933
Back to top of page